Thomas C. Skinner (American, 1888-1945) painted the worker's world of shipbuilding.
A couple of weeks ago, when I visited the Mariners' Museum in Newport News, Virginia, Jeanne Willoz-Egnor, Director of Collections Management, took me behind the scenes to see some of Skinner's paintings. This giant oil shows the workings of the forge hammer shop.
According to the Richmond Times Dispatch, December 19, 1948: "Shortly after the Mariners’ Museum was founded in 1930, Mr. Skinner was appointed its staff artist. By a happy stroke of fortune he was assigned studio space in the heart of the shipyard where he could paint from life all phases of modern steel shipbuilding."
"His studio did not possess the conventional quite decorum. Riveting hammers provided a continuous tattoo, and his floor shook with the vibration of heavy machinery."
| Thomas C. Skinner, preliminary study, courtesy Mariners' Museum |
"But he learned in a matter of moments to set up his easel and start sketching a damaged tanker being warped into a big drydock. The result has been that his unposed paintings are bold, colorful, and almost noisily true to life."
This 1933 gouache shows the Mallory Line freighter Mallemak in dry dock, getting a paint job.
In the shipyard's heavy machine shop, he depicts the special tools used to refine the shapes of the forgings and castings.
The expressed intent of his project was "to promote prosperity during the Great Depression and celebrate America's industrial might."
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Shipbuilders' art, painter's art meetMain page for Mariners' Museum
This is their page on Thomas C. Skinner
Thanks, Jeanne.
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